Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
Dorothy FieldsRead
A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.
Interpretation
Creativity requires effort and cannot be found in external resources alone.
Dorothy Fields emphasizes that the creation of art, such as songwriting, is a deeply personal and labor-intensive process. It cannot simply happen spontaneously or be derived from external aids like dictionaries; rather, it is a product of inner inspiration and personal experience.
In practice
In a songwriting workshop to encourage participants to tap into their feelings.
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
Pick yourself up, dust yourself off, start all over again.
Grab your coat, and get your hat Leave your worry on the doorstep Just direct your feet To the sunny side of the street.
The worst evil which can befall the artist is that his work should appear good in his own eyes.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
A writer’s life is in his work, and that is the place to find him.
The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman - these are public value-founders.
'Tristan' is a very unique case, not just in Wagner's output, but in music in general. It remains contemporary no matter what else surrounds it. There is something self-renewing about it.
Opera happens because a large number of things amazingly fail to go wrong.
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