As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Speak the speech, I pray you, as I pronounced it to you-trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Interpretation
This quote emphasizes the importance of delivering speeches with authenticity and control, avoiding exaggeration and insincerity.
In this quote, Shakespeare advises actors on how to deliver their lines effectively. He stresses that a genuine performance should flow naturally and not be marred by artificiality or over-exaggeration. The imagery of a storm contrasts with the need for temperance, suggesting that while passion is vital in a performance, it should be tempered with skill and moderation to create a smooth and engaging delivery.
In practice
In a drama class, the teacher might use this quote to encourage students to focus on genuine expression.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Art happens-no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.
When I started, I was an artist; I wanted to be an artist. I became an actor almost by accident. I acted for fifteen years and tried to produce. I looked for stories that were the story beneath the story that you thought you knew, like 'The Candidate'.
I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
Your job is to get your audience to care about your obsessions.
That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.
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