We used to make patterns in the dirt, hanging our feet off the horse-drawn farm equipment. We made endless hourglass figures that I now see as the forms within forms in my crocheted wire sculptures.
Ruth AsawaRead
It wasn't stone. It wasn't welded steel. It wasn't traditional sculpture. They thought it was craft, or something else, but not art. They couldn't define it in the early Fifties when I was starting out.
Interpretation
Ruth Asawa expresses the uncertainty and evolving definitions of art during her early career.
In this quote, Ruth Asawa reflects on the challenges she faced as an artist in the early Fifties, when her unique approach to art was often misunderstood or categorized in ways that did not capture its essence. She highlights the struggle for definitions in the art world, emphasizing that true art can transcend traditional materials and expectations, inviting a broader appreciation of creative expression.
In practice
This quote can be used during an art event to discuss the evolving nature of creativity.
We used to make patterns in the dirt, hanging our feet off the horse-drawn farm equipment. We made endless hourglass figures that I now see as the forms within forms in my crocheted wire sculptures.
Art is doing. Art deals directly with life.
An artist is not special. An artist is an ordinary person who can take ordinary things and make them special.
I am able to take a wire line and go into the air and define the air without stealing from anyone. A line can enclose and define space while letting the air remain air.
The sculptor represents the transition from one pose to another he indicates how insensibly the first glides into the second. In his work we still see a part of what was and we discover a part of what is to be.
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
Style is knowing who you are, what you want to say, and not giving a damn.
I think literary theory satisfied a deep love I have for big, encompassing narratives about the world and how it works - which are usually, in the end, more creative visions unto themselves than illuminating explanations.
The long path from material through function to creative work has only one goal: to create order out of the desperate confusion of our time.
Jazz is not background music. You must concentrate upon it in order to get the most of it. _x000D_ You must absorb most of it. The harmonies within the music can relax, soothe, relax, and uplift the _x000D_ mind when you concentrate upon and absorb it. Jazz music stimulates the minds and uplifts the souls _x000D_ of those who play it was well as of those who listen to immerse themselves in it. As the mind is _x000D_ stimulated and the soul uplifted, this is eventually reflected in the body.
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