To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
Auguste RodinRead
The sculptor represents the transition from one pose to another he indicates how insensibly the first glides into the second. In his work we still see a part of what was and we discover a part of what is to be.
Interpretation
The sculptor captures the seamless change between poses, illustrating the connection between the past and future.
In this quote, Rodin reflects on the role of a sculptor in portraying movement and transition. The sculptor not only freezes a moment in time but also reveals the fluidity of change, highlighting how one state naturally leads to another. Through his work, the viewer can appreciate elements of both the past and the potential of the future, capturing the essence of transformation within art.
In practice
This quote can be used to inspire artists in a workshop about capturing movement in art.
To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
There is no need to create. Genius comes only to those who know how to use their eyes and their intelligence.
Mystery is like a kind of atmosphere which bathes the greatest works of the masters.
I am like a moon that shines on an immense, unknown sea where ships never pass
An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
The artist enriches the soul of humanity. _x000D_ The artist delights people with _x000D_ a thousand different shades of feeling.
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
The great men of music close periods; they do not inaugurate them. The pioneer work, the finding of new paths, is left to smaller men.
Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
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