Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
The only story that seems worth writing is a cry, a shot, a scream. A story should break the reader's heart.
Interpretation
What this quote means
This quote emphasizes the profound emotional impact that stories can have on readers, suggesting that true art exposes deep human experiences.
Susan Sontag argues that the most valuable narratives are those that evoke intense emotional responses, such as sorrow or pain. She believes that literature should not shun the difficult themes of life but instead confront them head-on, leading to transformative experiences for both the writer and the reader. A story that touches on deep emotional truths speaks to the heart of humanity, reminding us of our shared vulnerabilities and the depth of our experiences.
Themes
In practice
Example use cases
In a literary discussion about the power of narrative, one might quote Sontag to illustrate the emotional depth required in storytelling.
More from Susan Sontag
All quotes βScience fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Similar quotes
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the eventβthat's what fuels me as a director . . . I believe it's actually radical to think about the audience.
Theatre is a game of hide-and-seek. For both the hiders and the seekers, the thrill is in the discovery. When the rules of the game are too vague or too complicated, however, the audience can lose its urge to play; the prize no longer seems quite worth the hunt.
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
The art of healing is like an unroofed temple, uncovered at the top and cracked at the foundation.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.