One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Interpretation
True artistic works, like symphonies and novels, cannot be replicated or owned in the same way that physical art can be.
In this quote, Roger Scruton emphasizes the uniqueness of artistic expressions such as music and literature compared to visual art. He suggests that unlike paintings or sculptures, which can be reproduced or forged, the essence of a symphony or a novel lies in their experience and interpretation, making it difficult to counterfeit their authenticity.
In practice
In a discussion on the value of art, one could use this quote to highlight the importance of originality.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
Playing and listening to music gives you a sense of fulfilment because you have to put everything in you at its disposal.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
Vision is the Art of seeing Things invisible.
I look at my voice and my abilities as a gift. I don't feel that I can even take any credit for it, but it's such a huge presence in my life. It is my life. It's my identity, it's everything. And it's given me a great deal of joy and a sense of purpose - I can't imagine my life without it.
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