One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
Interpretation
The quote reflects the tension between preserving the beauty of the English countryside and the government’s push for modern infrastructure.
Roger Scruton expresses a deep concern for the preservation of the English countryside, which symbolizes national identity and heritage. He critiques the government's initiatives to industrialize the landscape with wind turbines and high-speed railways, suggesting that such developments threaten the inherent beauty and cultural significance of the natural environment.
In practice
During a speech on environmental conservation, this quote could emphasize the importance of protecting rural landscapes.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
For nature gives to every time and season some beauties of its own; and from morning to night, as from the cradle to the grave, it is but a succession of changes so gentle and easy that we can scarcely mark their progress.
The future will belong to the nature-smart...Th e more high-tech we become, the more nature we need.
A flower's fragrance declares to all the world that it is fertile, available, and desirable, its sex organs oozing with nectar. Its smell reminds us in vestigial ways of fertility, vigor, life-force, all the optimism, expectancy, and passionate bloom of youth. We inhale its ardent aroma and, no matter what our ages, we feel young and nubile in a world aflame with desire.
The earth is rude, silent, incomprehensible at first; Be not discouraged - keep on - there are divine things, well envelop'd; I swear to you there are divine things more beautiful than words can tell.
Hold out your hands to feel the luxury of the sunbeams.
Apparently there is a great discovery or insight which our culture is deliberately designed to suppress, distort, and ignore. That is that nature is some kind of minded entity. That nature is not simply the random flight of atoms through electromagnetic fields. Nature is not the empty, despiritualized , lumpen matter that we inherit from modern physics. But it is instead a kind of intelligence, a kind of mind.
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