Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.
George GershwinRead
All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
Interpretation
The quote suggests that the creative process of writing music is often romanticized and not as easy as merely writing a letter.
George Gershwin highlights the myth that composing music, like writing a symphony, is an effortless task that comes naturally to the composer. His statement reveals that the reality of creating music is far more complex and requires significant effort, skill, and dedication, challenging the perception that creativity flows freely and simply.
In practice
During a music appreciation class to discuss the nature of creativity in art.
Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.
The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
Originality is the only thing that counts. But the originator uses material and ideas that occur round him and pass through him. And out of his experience comes the original creation.
Summertime And the living is easy Fish are jumpin' And the cotton is high Oh, your daddy's rich And your mama's good lookin' So hush little baby now don't you cry One of these mornin's You're gonna rise up singin' Then you'll spread your wings And take to the sky But til that mornin' Ain't nothin' can harm you With your daddy And your mammy standin' by.
For suddenly, I saw you there And through foggy London town The sun was shining everywhere.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a hip brand, and a crippling disease.
Fashion is something barbarous, for it produces innovation without reason and imitation without benefit.
Asking an artist to talk about his work is like asking a plant to discuss horticulture.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
I was meant to be a composer and will be I'm sure. Don't ask me to try to forget this unpleasant thing and go play football - please.
Subscribe for the occasional hand-picked quote. No noise.