No man can possibly know what life means, what the world means, until he has a child and loves it. And then the whole universe changes and nothing will ever again seem exactly as it seemed before.
Lafcadio HearnRead
The tea ceremony requires years of training and practice ... yet the whole of this art, as to its detail, signifies no more than the making and serving of a cup of tea. The supremely important matter is that the act be performed in the most perfect, most polite, most graceful, most charming manner possible.
Interpretation
The tea ceremony exemplifies how artistry is found in the simplicity of everyday actions performed with grace and care.
This quote highlights the significance of practice and dedication in mastering any art form, particularly the Japanese tea ceremony. While the act itself may seem simple—making and serving tea—the true essence lies in the grace and politeness with which it is performed, reflecting a deeper appreciation for the artistry in everyday life.
In practice
This quote can be shared during a workshop on mindfulness and the importance of presence in simple tasks.
No man can possibly know what life means, what the world means, until he has a child and loves it. And then the whole universe changes and nothing will ever again seem exactly as it seemed before.
Japanese affection is not uttered in words; it scarcely appears even in the tone of voice; it is chiefly shown in acts of exquisite courtesy and kindness.
In the world of reality the more beautiful a work of art, the longer, we may be sure, was the time required to make it, and the greater the number of different minds which assisted in its development.
But what is after all the happiness of mere power? There is a greater happiness possible than to be lord of heaven and earth; that is the happiness of being truly loved.
It may be said that artist and censor differ in this wise: that the first is a decent mind in an indecent body and that the second is an indecent mind in a decent body.
That which is not worth contemplating in life, is not worth recreating in art.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
I'm not such a fan of imagination. If you're alive to details, they oftentimes suggest a richer or deeper imaginative line than you would have imagined.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
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