The body says what words cannot.
Martha GrahamRead
It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.
Interpretation
Mastery in the arts requires a significant investment of time and practice.
Martha Graham emphasizes that the journey to becoming a skilled dancer is a lengthy process, typically taking around ten years. This period is essential for artists to fully understand and master their tools and the medium they work with, highlighting the importance of dedication and perseverance in the arts.
In practice
During a motivational speech about the arts at a school assembly.
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
The body is your instrument in dance, but your art is outside that creature, the body.
If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise, you might as well make it in your bedroom and leave it there.
I am interested in reconstructing symbols. It's about connecting with an older knowledge and trying to discover continuities in why we search for heaven.
Ah, well, do I wish that we lived in a world where gender didn't figure so prominently? Of course. Do I even think about myself as a woman when I go to make art? Of course not.
To me, a song is not finished. To me, there's no such thing as a finished anything. All of Beethoven's nine symphonies, to me, are one. I think of it as having no beginning and no end.
Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.
Music and comedy are so linked. The rhythm of comedy is connected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.
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