A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.
Interpretation
Genres serve more as a guide for what to avoid in literature than as a way to dictate what to read.
Neil Gaiman's quote suggests that the concept of genre is often misunderstood. While many people view genres as helpful categories that direct readers towards specific types of literature, Gaiman posits that genres primarily function as marketing classifications that help readers identify what they are not interested in, encouraging a more personal approach to reading beyond conventional boundaries.
In practice
In a book club discussion to critique genre classifications.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
How do you explain what it feels like to get on the stage and make poetry that you know sinks into the hearts and souls of people who are unable to express it
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.
I wanted my dad to be proud of me, and I fell into acting because there wasn't anything else I could do, and in it I found a discipline that I wanted to keep coming back to, that I love and I learn about every day.
The beautiful feeling after writing a poem is on the whole better even than after sex, and that's saying a lot.
Subscribe for the occasional hand-picked quote. No noise.