As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
There's not a note of mine that's worth the noting.
Interpretation
The quote suggests that the speaker's contributions may not hold significant value or attention.
In this quote, Shakespeare expresses humility about his own work or thoughts, implying that they may not be noteworthy or deserving of praise. It reflects a broader philosophical view on the nature of value and recognition in art and creativity, suggesting that what one considers valuable may not resonate with others.
In practice
During a lecture on creativity, one might use this quote to illustrate the concept of self-doubt among artists.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
The right to have access to every building in the city by private motorcar in an age when everyone possesses such a vehicle is actually the right to destroy the city.
The court is the bureaucracy of the law. If you bureaucratise popular justice then you give it the form of a court.
The suspicious mind believes more than it doubts. It believes in a formidable and ineradicable evil lurking in every person.
We frequently look into the future of mankind and see dangers. We see if we carry on doing what we are doing in 20 years' time there will be no rainforests left, just to use one example. Looking into the future may be one of the reasons that brains evolved in the first place.
True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.
For every shrill and violent voice that throws itself in front of microphones and cameras in the name of God, there are countless lives of gentleness and good works who will not. We need to see and hear them, as well, to understand the whole story of religion in our world.
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