Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?
Donna TarttRead
Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
Interpretation
The quote explores the idea of a personal flaw that defines one's life and the struggle between life choices and the desire for beauty.
In this quote, Donna Tartt reflects on the concept of a 'fatal flaw,' suggesting that such flaws are not merely fictional constructs but can exist in real life. She reveals her own flaw as a 'morbid longing for the picturesque,' highlighting the conflict between the desire for aesthetic beauty and the reality of life, which can be flawed and complicated.
In practice
In a conversation about personal struggles, one might quote this to illustrate how flaws can shape our identity.
Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?
But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.
And the flavor of Pippa's kiss--bittersweet and strange--stayed with me all the way back uptown, swaying and sleepy as I sailed home on the bus, melting with sorrow and loveliness, a starry ache that lifted me up above the windswept city like a kite: my head in the rainclouds, my heart in the sky.
Does such a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature?
I've written only two novels, but they're both long ones, and they each took a decade to write.
The books I loved in childhood - the first loves - I’ve read so often that I’ve internalized them in some really essential way: they are more inside me now than out.
I can measure the motion of bodies but I cannot measure human folly.
I don’t believe in God as you imagine Him to be, but I believe in many things that you could never even dream of.
Where else could one find such a perfect combination of American values -- racism, militarism, capitalism -- all packaged in one 'ideal' symbol, a woman.
People talk of “social outcasts.” The words apparently denote the miserable losers of the world, the vicious ones, but I feel as though I have been a “social outcast” from the moment I was born. If ever I meet someone society has designated as an outcast, I invariably feel affection for him, an emotion which carries me away in melting tenderness.
Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
It is because freedom means the renunciation of direct control of individual efforts that a free society can make use of so much more knowledge than the mind of the wisest ruler could comprehend.
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