Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Bob RossRead
There are thousands of very, very talented artists who will never be known, even after they are dead.
Interpretation
Many talented artists may never receive recognition for their work, even posthumously.
This quote by Bob Ross reflects on the reality that not all artists achieve fame or recognition, despite their immense talent and hard work. It serves as a reminder that the art world is vast, and many creative individuals contribute significantly without receiving the acknowledgment they deserve, prompting us to appreciate art for its intrinsic value rather than the fame of the creator.
In practice
In a discussion about underappreciated artists during an art exhibition.
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Everyday's a good day when you paint
Ever make mistakes in life? Let's make them birds. Yeah, they're birds now.
We don't make mistakes; we just have happy accidents.
I don't know if anything in nature ever grows exactly the same, but they are always exactly as the way it should be, perfectly itself.
We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.
Actors should arouse a sense of wonder because of their ability to exceed what the spectators can envision ever being able to do.
Whosoever knoweth the power of the dance, dwelleth in God.
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.
I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
There's nothing worse than sitting down to write a novel and saying, 'Well, okay, I'm going to do something of high artistic worth.'
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
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