You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
Interpretation
The quote emphasizes the value of creativity and collaboration in art, highlighting unexpected contributions.
Robert De Niro's quote reflects on the unpredictability of creativity and the importance of collaboration in the artistic process. He suggests that sometimes, the most unconventional ideas can bring freshness and vitality to a project, particularly when working with a director who has the skill to refine and shape those ideas. This highlights the synergy between artistic freedom and skilled direction, which can lead to innovative and compelling results.
In practice
This quote can be used in a creative workshop to inspire participants to think outside the box.
I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.
I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum.
The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day.
If you're an actor, always be true to your character. If you are not an actor, have character and always be true to yourself.
Everyone has a creative impulse, and has the right to create, and should.
A graphic designer, you know, who understands ideas and understands that ideas are what makes the world go round, could change the world with a magazine. If one talent could do it right now, and everybody would stop saying it's the death of magazines.
I don't know much about God. But if everything does originate with God, then certainly songs do as well.
Art for Duchamp, all the arts, obey the same law: meta-irony is inherent in their very spirit. It is an irony that destroys its own negation and, hence, returns in the affirmative.
What does one prefer? An art that struggles to change the social contract, but fails? Or one that seeks to please and amuse, and succeeds?
Art should be appreciated with passion and violence, not with a tepid, depreciating elegance that fears the censoriousness of a common room.
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