Man adapts himself to everything, to the best and the worst.
Jose Ortega Y GassetRead
tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.
Interpretation
The quote emphasizes that tragedy in theater helps us recognize and value heroism in real life.
Jose Ortega Y Gasset suggests that theatrical tragedies serve an important purpose beyond entertainment; they awaken our perception and understanding of heroism in our everyday experiences. By experiencing tragic narratives, we become more attuned to the struggles and virtues encountered in reality, leading to greater appreciation for acts of courage and nobility in our lives.
In practice
In a speech about the importance of the arts in education, one could use this quote to highlight the impact of drama on empathy.
Man adapts himself to everything, to the best and the worst.
"Natural" man is always there, under the changeable historical man. We call him and he comes-a little sleepy, benumbed, without his lost form of instinctive hunter, but, after all, still alive. Natural man is first prehistoric man-the hunter.
We have not reached ethical perfection in hunting. One never achieves perfection in anything, and perhaps it exists precisely so that one can never achieve it. Its purpose is to orient our conduct and to allow us to measure the progress accomplished. In this sense, the advancement achieved in the ethics of hunting is undeniable.
I am myself and what is around me, and if I do not save it, it shall not save me.
We fall in love when our imagination projects nonexistent perfection upon another person. One day, the fantasy evaporates and with it, love dies.
Life is a terrible conflict, a grandiose and atrocious confluence. Hunting submerges man deliberately in that formidable mystery and therefore contains something of religious rite and emotion in which homage is paid to what is divine, transcendent, and in the laws of Nature.
He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.
I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.
I've been very fortunateit's just been an amazing piece of luck. I haven't had to suffer for my art but I've suffered enough inside to hopefully be called an artist.
'Tristan' is a very unique case, not just in Wagner's output, but in music in general. It remains contemporary no matter what else surrounds it. There is something self-renewing about it.
Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
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