If you ask me, I alternate between truly bizarre, what you would call 'Hollywood' movies and truly bizarre, what you would call 'arthouse' movies.
Interpretation
The quote reflects the balance between mainstream cinema and independent films in the speaker's taste.
Guillermo Del Toro highlights his eclectic cinematic preferences by expressing that he enjoys both mainstream 'Hollywood' films and the more unconventional 'arthouse' films. This juxtaposition illustrates the diverse nature of art and how personal taste can bridge distinct genres and styles, emphasizing the value of creativity in all forms of storytelling.
In practice
This quote could be used in a film studies class to discuss different genres of cinema.
I don't try to sanction other people's joy in monsters. I mean, I think the fact is, humor, fantasy - you know, like fear, desire or laughter - create genres of their own: comedy, melodrama, or erotic films or horror films... The boundaries cannot be defined. It's to each his own.
As a director, I design every movie to be true to itself, and damn it if they like it, and damn it if they don't.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
The saddest journey in the world is the one that follows a precise itinerary. Then you're not a traveler. You're a f@@king tourist.
When you start with Super 8, you are everything. You're the DP, the sound man, the effects guy. And what I started understanding, by working for other people, is that the best type of director is someone who rose through the ranks.
The way they control a population is by pointing at somebody else - whether they're gay, Mexican, Jewish, black - and saying, 'They are different than you. They're the reason you're in the shape you're in. You're not responsible.' And when they exonerate you through vilifying and demonizing someone else, they control you.
Fiction that isn't an author's personal adventure into the frightening or the unknown isn't worth writing for anything but money.
I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films.
What I'm trying to do is just sing what comes to my body in the context of the song. And if you go by the emotion of the song, it's almost like stepping into a city. Cities have certain customs and rules and laws you can break, and that's what I was doing.
I try all night to play a pretty note.
We talk so abstractly about poetry because all of us are usually bad poets.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
Subscribe for the occasional hand-picked quote. No noise.