When you see the films of certain young directors, you get the impression that film history begins for them around 1980.
Jacques RivetteRead
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
Interpretation
Designers can be divided into those who prefer isolation and those who embrace real-life experiences for inspiration.
Michael Kors highlights the dichotomy in the designer world, noting that some thrive in solitude, while others find value in engaging with the world around them. He believes that genuine life experiences enrich the design process, as true creativity stems from living fully and drawing inspiration from those encounters.
In practice
This quote can be shared in a design workshop to emphasize the importance of experiential learning.
When you see the films of certain young directors, you get the impression that film history begins for them around 1980.
I think the best stories always end up being about the people rather than the event, which is to say character-driven.
There is something about riding a unicorn, for those people who still can, which is unlike any other experience: exhilarating, and intoxicating, and fine.
Romantic art deals with the exception and with the individual. Good people, belonging as they do to the normal, and so, commonplace type, are artistically uninteresting.
I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times.
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