We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
Interpretation
Theatre should reflect and inspire change within society by expressing and questioning human relationships.
Bertolt Brecht argues for a type of theatre that goes beyond mere entertainment or emotional release. Instead, it should engage the audience in critical thought and reflection on societal issues, ultimately inspiring change by transforming the very context in which the play is set.
In practice
During a lecture on the impact of art, one might quote Brecht to highlight the potential of theatre to effect social change.
The shrill voices of those who give orders Are full of fear like the squeakings of Piglets awaiting the butcher's knife, as their fat arses Sweat with anxiety in their office chairs.... Fear rules not only those who are ruled, but The rulers too.
We attacked a foreign people and treated them like rebels. As you know, it's all right to treat barbarians barbarically. It's the desire to be barbaric that makes governments call their enemies barbarians.
War is like love, it always finds a way.
Art is not a mirror held up to reality but a hammer with which to shape it.
Recently my fingers have developed a prejudice against comparatives. They all follow this pattern: a squirrel is smaller than a tree; a bird is more musical than a tree. Each of us is the strongest one in his or her own skin. Characteristics should take off their hats to one another, instead of spitting in each other's faces.
To those who does not know the world is on fire, I have nothing to say.
It is entirely possible to create something totally artificial within the realms of rock and roll.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity. He takes snapshots, makes notes and records impressions on tablecloths or newspapers, on backs of envelopes or matchbooks. Why one thing and not another is part of the mystery, but he is omnivorous.
When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk, you'll end up as the Pope.' Instead, I became a painter and wound up as Picasso.
My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
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