They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
Lorrie MooreRead
She was unequal to anyone's wistfulness. She had made too little of her life. Its loneliness shamed her like a crime.
Interpretation
The quote reflects a deep sense of unfulfilled potential and the pain of isolation.
In this quote, Lorrie Moore captures the essence of regret and unfulfilled yearning in a person's life. The character's feelings of being overshadowed by others' desires and her own inability to navigate her loneliness create a poignant statement about the human experience of dissatisfaction and the longing for connection and achievement.
In practice
In a discussion about life choices at a book club, this quote can evoke thoughts on personal fulfillment.
They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
You couldn't pretend you had lost nothing... you had to begin there, not let your blood freeze over. If your heart turned away at this, it would turn away at something greater, then more and more until your heart stayed averted, immobile, your imagination redistributed away from the world and back only toward the bad maps of yourself, the sour pools of your own pulse, your own tiny, mean, and pointless wants.
I tried not to think about my life. I did not have any good solid plans for it long-term - no bad plans either, no plans at all - and the lostness of that, compared with the clear ambitions of my friends (marriage, children, law school), sometimes shamed me. Other times in my mind I defended such a condition as morally and intellectually superior - my life was open and ready and free - but that did not make it less lonely.
She was not good on the phone. She needed the face, the pattern of eyes, nose, trembling mouth... People talking were meant to look at a face, the disastrous cupcake of it, the hide-and-seek of the heart dashing across. With a phone, you said words, but you never watched them go in. You saw them off at the airport but never knew whether there was anyone there to greet them when they got off the plane.
No matter that you anticipate a thing; you get so used to it as part of the future that its actuality, its arrival, its force and presence, startles you, takes you by surprise, as would a ghost suddenly appearing in the room wearing familiar perfume and boots.
When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
I have taken so many wrong turns and been so careless with precious things and managed to lose, or break, or leave out in the rain so much that I loved.
All men die, but not all men really live.
As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
How odd to watch a mortal kindle / Then to dwindle day by day / Knowing their bright souls are tinder / And the wind will have its way
I really just like characters who you don't know where they stand for a long while. It's like people. You hang out with them for 10 years, and then all of a sudden they do something, and you say, 'Who are you?' That's more interesting. In life and on-screen.
I don't envision a very long life for myself. I think my life will run out before my work does. I've designed it that way.
Subscribe for the occasional hand-picked quote. No noise.