We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
Interpretation
Architecture transcends mere function when it embodies the spirit of contemporary society.
This quote by Ludwig Mies Van Der Rohe suggests that the true value of architecture lies not just in its functionality but in its ability to reflect the values, aspirations, and identity of the time in which it is built. As structures evolve from mere utilitarian function to art, they become significant cultural landmarks that resonate with the spirit of their era.
In practice
This quote can be used in a lecture about modern architecture to illustrate the importance of context in design.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I have always liked drawing, when you draw you see things more intensely.
Music has got to be useful for survival, or we would have gotten rid of it years ago.
I'm very aware of the presence of a reader, and that probably is a reaction against a lot of poems that I do read which seem oblivious to my presence as a reader.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
The two most important tools an architect has are the eraser in the drawing room and the sledge hammer on the construction site.
A typical TV show is always about protecting the franchise - it's all about stretching it out as long as you can take it. And it's about taking the characters in any given hour as far as you can take them, but then resetting them more or less back to zero so at the beginning of the next week, so they're still the character you know and love.
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