I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
Interpretation
The quote reflects on the powerful yet challenging impact of a song over time.
Janis Ian's reflection on her song 'Society's Child' highlights the complex relationship between art and society. Initially received with mixed feelings, including negativity, she later recognized its significant influence on listeners and its role in addressing social issues, showing how artistic expression can evolve in public perception over time.
In practice
During a panel discussion about the evolution of music and its effect on society.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
It seems to be part of the human condition to need someone you can look down on. I still don't get that one.
I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.
In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions - one, four and five. After that, I taught myself to play.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
Every time you pick up your guitar to play, play as if it's the last time.
For a long time I wasn't listening to music, to the rock and roll stuff on the radio, because it would cause me to get sweaty. It would bring back memories I didn't want to know about, or I would get that feeling that I'm not alive 'cause I'm not making it. And if it was good, I hated it 'cause I wasn't doing it. And if it was bad, I was furious 'cause I could've done it better.
I got a chance to work with Miles Davis, and that changed everything for me, 'cause Miles really encouraged all his musicians to reach beyond what they know, go into unknown territory and explore. It's made a difference to me and the decisions that I've made over the years about how to approach a project in this music.
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