I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
Interpretation
The quote reflects on the powerful yet challenging impact of a song over time.
Janis Ian's reflection on her song 'Society's Child' highlights the complex relationship between art and society. Initially received with mixed feelings, including negativity, she later recognized its significant influence on listeners and its role in addressing social issues, showing how artistic expression can evolve in public perception over time.
In practice
During a panel discussion about the evolution of music and its effect on society.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
It seems to be part of the human condition to need someone you can look down on. I still don't get that one.
Without Tony Allen, there would have been no Afrobeat.
In hindsight, if I could go back in time and relay a message to my younger self, I would tell him to work on his time keeping, and that the job of a drummer is not to be the one that gets noticed the most on stage, or to be the fastest, or the loudest. Above all, it is to be the timekeeper.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
Jazz is there and gone. It happens. You have to be present for it. That simple.
To me, hip hop will never be right until female rappers have a stronger voice in it.
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