The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
Clint SmithRead
While violence is part of what it means to be part of the black diaspora in the United States, that is not all it means to be black.
Interpretation
The quote emphasizes that violence is just one aspect of the black experience in the United States, not the entirety of it.
Clint Smith's quote reflects on the complexity of the black identity within the United States, recognizing that while violence and struggle are undeniably significant facets of the black diaspora, they do not encapsulate the entirety of the black experience. It invites a broader understanding that appreciates both the challenges and the richness of black history and culture, urging us to acknowledge the diversity of narratives that exist beyond violence.
In practice
In a discussion about the representation of black culture in media.
The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
In an effort to create a culture within my classroom where students feel safe sharing the intimacies of their own silences, I have four core principles posted on the board that sits in the front of my class, which every student signs at the beginning of the year: read critically, write consciously, speak clearly, tell your truth.
One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
Meek Walton's heavenly memory.
How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe.
I never yet heard man or woman much abused that I was not inclined to think the better of them, and to transfer the suspicion or dislike to the one who found pleasure in pointing out the defects of another.
Two monks sit facing, playing chess on the mountain, The bamboo shadow on the board is dark and clear. Not a person sees the bamboo's shadow, One sometimes hears the pieces being moved.
Make women rational creatures, and free citizens, and they will quickly become good wives; - that is, if men do not neglect the duties of husbands and fathers.
Silence is an ornament for women.
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