I look at my voice and my abilities as a gift. I don't feel that I can even take any credit for it, but it's such a huge presence in my life. It is my life. It's my identity, it's everything. And it's given me a great deal of joy and a sense of purpose - I can't imagine my life without it.
Interpretation
This quote expresses the appreciation for one’s talents as essential elements of identity and purpose.
Emmylou Harris emphasizes the significance of her voice and abilities, regarding them not merely as skills, but as intrinsic gifts that shape her identity and provide her with immense joy and purpose. She feels a deep connection to these gifts and recognizes that they are foundational to her existence, highlighting the profound impact that art and personal expression can have on a person's life.
In practice
In a speech at an awards ceremony, one might say, 'Like Emmylou Harris, I see my talents as gifts that define who I am and bring me joy.'
You really do learn every day with every dog; they are all so unique and different. But if you're patient and you understand where they're coming from, and if you are consistent, they will be fine. They teach you to give your full attention.
Animals have a much better attitude to life and death than we do. They know when their time has come. We are the ones that suffer when they pass, but it's a healing kind of grief that enables us to deal with other griefs that are not so easy to grab hold of.
I find with records, they become what they're going to become. They take on a power and a direction of their own. Part of making records is to honor that and not try to force it.
There's a certain grace in accepting what your life is and embracing all the good things that have been - but there's still an expectation of good things to come. Not necessarily what you expected.
I didn't have any money. I had a sense of terrible loss. But what I also had was a fire in my belly. I wasn't going to go back to waiting tables. I felt I had to be better at fronting a band.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
She was the music heard faintly on the edge of sound.
You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.
I swear fearfully at the conventions of the stage.
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