Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
I hate vulgar realism in literature. The man who would call a spade a spade should be compelled to use one.
Interpretation
The quote criticizes blunt realism in literature and suggests that one should engage in the realities they describe.
Oscar Wilde's quote expresses a disdain for vulgar realism in literature, highlighting a tension between artistic expression and the raw portrayal of reality. By stating that someone who insists on blunt honesty should actually experience the realities they reference, Wilde implies that true understanding and creativity require deeper engagement with the subject rather than mere surface-level representation.
In practice
In a discussion on the role of literary styles, one could use this quote to emphasize the importance of depth over superficial realism.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.
I have unbounded admiration for the nude. I worship it like a god.
I'm happy to stick with my persona. There are themes of love lost and love regained, but the main themes of all poems are basically love and death, and that seems to be the message of poetry.
When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
I don't think I've ever written a poem whose intention was just to be funny. I've written poems that start out funny and often shift into something more serious.
Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.
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