Writing well involves walking the path of most resistance. Sitting still, being patient, allowing the lunatic dream to take shape on the page, then the shaping, the pencil on the page, breathing, slowing down, being willing–no, more than willing, being wide open–to press the bruise until it blossoms.
Interpretation
Writing requires patience and perseverance, allowing creative ideas to develop fully before finalizing them.
This quote emphasizes the challenging yet rewarding process of writing, where the initial chaotic ideas must be nurtured and shaped patiently. It suggests that great writing emerges from a struggle with one's thoughts and emotions, encouraging writers to embrace discomfort and vulnerability in their creative journey.
In practice
In a writing workshop, you can share this quote to inspire participants to embrace their creative process.
The writing life requires courage, patience, persistence, empathy, openness, and the ability to deal with rejection. It requires the willingness to be alone with oneself. To be gentle with oneself. To look at the world without blinders on. To observe and withstand what one sees. To be disciplined, and at the same time, take risks. To be willing to fail - not just once, but again and again, over the course of a lifetime.
Confidence is highly overrated when it comes to creating literature. A writer who is overly confident will not engage in the struggle to get it exactly right on the page - but rather, will assume that she's getting it right without the struggle.
When we reach reflexively for something to dull an ache inside of us, in that very moment of reaching, we are hiding from our pain. We're storing it away. Tamping it down.
I try to remember that the job - as well as the plight, and the unexpected joy - of the artist is to embrace uncertainty, to be sharpened and honed by it.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
I am a novelist. I traffic in subtleties, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point.
I always feel that art in general and acting in particular should make the audience a little uncomfortable, to slap them and wake them up.
Like a mermaid in sea-weed, she dreams awake, trembling in her soft and chilly nest.
In good films, there is always a directness that entirely frees us from the itch to interpret.
Movies may be as close to a document of our national culture as there is; they're supposed to represent what we believe ourselves to be. So when you don't see yourself at all - or see yourself erased - that hurts.
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