I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
James NachtweyRead
I try to use whatever I know about photography to be of service to the people I'm photographing.
Interpretation
The quote expresses a commitment to using one's skills to benefit others, particularly in the context of photography.
James Nachtwey emphasizes the importance of empathy and service in his work as a photographer. He believes that his knowledge and skills in photography should be directed towards helping and representing the subjects he captures, highlighting the ethical responsibility of artists to serve and advocate for their subjects rather than merely document them.
In practice
At a photography exhibition discussing the role of photographers in humanitarian work.
I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
I don't think tragic situations are necessarily devoid of beauty.
If you want to connect with people who are in distress and great grief and scared, you need to do it in a certain way. I move kind of slow. I talk kind of slow. I let them know that I respect them.
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
If Im feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
Conflict and character are the heart of good fiction, and good mystery has both of those in spades.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
You know, the camera is not meant just to show misery.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
The artist uses his reason to discover an answering reason in everything he sees.
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