One of the great things about books is you can afford to do anything.
George R. R. MartinRead
Whenever I switch from one character to another, there's always a few days where I really struggle because I'm changing voices and I'm changing ways of looking at the world. I'm not just flicking a switch; it's harder process than that.
Interpretation
Changing characters requires deep emotional and mental adaptation.
This quote highlights the complex process of embodying different characters, emphasizing that it's not a simple act but rather a profound transformation that involves adjusting one's perspective and voice. George R. R. Martin suggests that the act of character portrayal in storytelling is an intricate journey that takes time and effort to navigate successfully.
In practice
During a panel discussion on character development, this quote could be used to illustrate the commitment actors make to their roles.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Little Axe's records are wracked with collective grief. Spectral harmonicas resemble howling wolves; echoes linger like wounds that will never heal; the voices of the living harmonise with the voices of the dead in songs thick with reproach, recrimination and the hunger for redemption.
People regard CGI as a gimmick; they almost blame CGI for a bad story or a bad script. They talk about CGI as if it's responsible for a drop in standards.
Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems
I'm just someone who likes cooking and for whom sharing food is a form of expression.
The artist need not know very much, best of all let him work instinctively and paint as naturally as he breathes or walks.
The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.
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