I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
Peter JacksonRead
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
Interpretation
Human beings are inherently drawn to stories that resonate with their emotions and experiences.
Peter Jackson emphasizes the deep human need for storytelling, indicating that while simple entertainment may have its place, it is the relatable and emotional narratives that truly engage and resonate with us. He suggests that the richness of human experience and the complexity of our emotions will always lead to more profound stories rather than just surface-level entertainment.
In practice
In a discussion on the importance of storytelling in film, this quote illustrates the need for depth in narratives.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
I have a freedom that's incredibly valuable. Obviously my freedom is far smaller in scale than people like Zemeckis and Spielberg have here. But it's comparable. I can dream up a project, develop it, make it, control it, release it.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
The most honest form of filmmaking is to make a film for yourself.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit oneβs endβ¦.Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past.
In a way, the characters often do take over.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Fundamental accuracy of statement is the ONE sole morality of writing.
I've been imitated so well I've heard people copy my mistakes.
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