Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
Interpretation
The effectiveness of an artwork depends on its intrinsic qualities and what it conveys to the viewer.
This quote by Lucian Freud emphasizes that the power of art lies in its inherent characteristics and the ability to evoke a response from the observer. The viewer's interpretation and connection to the artwork are influenced by its composition, subject matter, and emotional resonance, highlighting the subjective nature of art appreciation.
In practice
An art critic discussing a new exhibition might quote this to emphasize the importance of the artworks' inherent qualities.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
Drag was not only my introduction to womanhood, but my introduction to entertainment. It was the first time I realized that I could move a crowd.
When I attained my seventh year, my father, whose ear was unmusical but who was nevertheless passionately fond of music, gave me my elementary lessons on the violin; in a very few months, I was able to play all manner of compositions at sight.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
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