Every canvas is a journey all its own.
Helen FrankenthalerRead
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
Interpretation
The quote emphasizes the importance of beauty in art rather than its categorization or subject matter.
Helen Frankenthaler's quote reflects the essence of artistic creation, focusing on the pursuit of beauty rather than the conventional classifications of art such as landscapes or pastoral scenes. It suggests that the true value of a piece lies in its aesthetic appeal and the emotional response it evokes, rather than how it is categorized or perceived by others.
In practice
In an art class, to inspire students to focus on the beauty of their own creations.
Every canvas is a journey all its own.
There are many accidents that are nothing but accidents-and forget it. But there are some that were brought about only because you are the person you are... you have the wherewithal, intelligence, and energy to recognize it and do something with it.
I don't start with a color order, but find the colors as I go.
We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
Art has a will of its own. It has nothing to do with the taste of the moment or what's expected of you. That's a formula for dead art, or fashionable art.
I don't resent being a female painter. I don't exploit it. I paint.
I am scared; I don't know what is going to happen to me. What was the point of working so hard and of being talented, to be rewarded like this? Never a penny, tormented all my life. It is horrible; one cannot imagine it.
Without doubt I praise the wild excellence.
It took me four years to paint like Raphael, but a lifetime to paint like a child.
Wagner manages to convey emotion with music better than anyone, before or since.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.
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