Every canvas is a journey all its own.
Helen FrankenthalerRead
I don't resent being a female painter. I don't exploit it. I paint.
Interpretation
The quote conveys pride in being a female artist without letting gender define her work.
In this quote, Helen Frankenthaler expresses her identity as a female painter with confidence and determination. She emphasizes that she does not hold resentment towards her gender nor uses it as a tool for exploitation or attention; instead, her primary focus is on the act of painting itself. This highlights her dedication to her craft and her belief in the merit of her work over any societal labels.
In practice
In a speech about women's contributions to art, I could mention this quote to highlight female empowerment.
Every canvas is a journey all its own.
There are many accidents that are nothing but accidents-and forget it. But there are some that were brought about only because you are the person you are... you have the wherewithal, intelligence, and energy to recognize it and do something with it.
I don't start with a color order, but find the colors as I go.
We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
Art has a will of its own. It has nothing to do with the taste of the moment or what's expected of you. That's a formula for dead art, or fashionable art.
I have a vocabulary in clothing. It's like a whole language.
Sometimes my feelings are so hot that I have to take the pen and put them out on paper to keep them from setting me afire inside; then all that ink and labor are wasted because I can't print the results
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
It's true that none of my characters are admirable. But maybe I'm primarily a satirist, and a satirist needs to hold up what's not admirable.
Art is the most beautiful of all lies.
You've got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.
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