Against Him those women sin who torment their skin with potions, stain their cheeks with rouge and extend the line of their eyes with black coloring. Doubtless they are dissatisfied with God's plastic skill. In their own persons they convict and censure the Artificer of all things.
Interpretation
This quote criticizes women who alter their appearance with cosmetics, suggesting they are unhappy with their natural beauty.
Tertullian's quote reflects a perspective on beauty and self-acceptance during his time, arguing that those who manipulate their appearance through makeup are expressing dissatisfaction with their God-given forms. He implies that such actions not only signify a lack of appreciation for one's natural features but also challenge the creator's intent and artistry in making each individual unique.
In practice
In a discussion about beauty standards, this quote could highlight the importance of self-acceptance.
Whatever is born is the work of God. So whatever is plastered on, is the devil's work.... How unworthy of the Christian name it is to wear a fictitious face - you on whom simplicity in every form is enjoined! You, to whom lying with the tongue is not lawful, are lying in appearance.
Nature soaks every evil with either fear or shame.
Examine then, and see if He be not the dispenser of kingdoms, who is Lord at once of the world which is ruled, and of man himself who rules; if He have not ordained the changes of dynasties, with their appointed seasons, who was before all time, and made the world a body of times; if the rise and the fall of states are not the work of Him, under whose sovereignty the human race once existed without states at all.
For it is really better for us not to know a thing, because [God] has not revealed it to us, than to know it according to man’s wisdom, because he has been bold enough to assume it.
The first reaction to truth is hatred.
We say, and we say openly, and while ye torture us, mangled and gory we cry out, "We worship God through Christ!" Believe Him a man: it is through Him and in Him that God willeth Himself to be known and worshipped.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
I would hate to think I am not an amature. An amateur is one who loves what he is doing. Very often, I'm afraid, the professional hates what he is doing. So, I'd rather be an amateur.
It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.
Years and years ago, I did a game based on 'Hitchhiker's Guide' with a company called Infocom, which was a great company. They were doing witty, intelligent, literate games based on text.
To say the word Romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.
I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'
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