A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Jane HirshfieldRead
Any woodthrush shows it - he sings, not to fill the world, but because he is filled.
Interpretation
The quote emphasizes that true creation comes from genuine inspiration rather than the desire for recognition.
Jane Hirshfield's quote highlights the idea that an artist, much like the woodthrush bird, creates out of an intrinsic need to express themselves. The woodthrush sings not to impress anyone but because it is naturally moved to do so. This serves as a reminder that authentic creativity stems from inner fulfillment rather than external validation.
In practice
In a discussion about the essence of art at an exhibition, one might say, 'As Jane Hirshfield beautifully put it, any woodthrush shows it - he sings, not to fill the world, but because he is filled.'
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Tree It is foolish to let a young redwood grow next to a house. Even in this one lifetime, you will have to choose. That great calm being, this clutter of soup pots and books-- Already the first branch-tips brush at the window. Softly, calmly, immensity taps at your life.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
Zen pretty much comes down to three things -- everything changes; everything is connected; pay attention.
The beauty and genius of a work of art may be reconceived, though its first material expression be destroyed; a vanished harmony may yet again inspire the composer; but when the last individual of a race of living things breathes no more, another heaven and another earth must pass before such a one can be again.
In my writing, as much as I could, I tried to find the good, and praise it.
That's the magic of art and the magic of theatre: it has the power to transform an audience, an individual, or en masse, to transform them and give them an epiphanal experience that changes their life, opens their hearts and their minds and the way they think.
Not-writing is a good deal worse than writing.
Writing is sacred, other activities are profane, and I don't want them to corrupt my writing.
All the translations of a poem in all possible languages may add nuance to nuance and, by a kind of mutual retouching, by correcting one another, may give an increasingly faithful picture of the poem they translate, yet they will never give the inner meaning of the original.
Subscribe for the occasional hand-picked quote. No noise.