I have a one-track mind. That's all that I'm interested in - love. And the lack of it. When it stops.
John CassavetesRead
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
Interpretation
The quote emphasizes the importance of exploration and questioning in filmmaking, rather than simply providing entertainment.
John Cassavetes expresses that his work in film transcends mere entertainment; it is an exploration of human emotions and awareness. He believes that a successful film should challenge viewers by posing questions that provoke thought and self-reflection, rather than rest on familiar answers. Through this lens, cinema becomes a vehicle for deeper understanding rather than just a means of amusement.
In practice
During a film discussion panel, one might quote this to emphasize the purpose of creative storytelling.
I have a one-track mind. That's all that I'm interested in - love. And the lack of it. When it stops.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films.
My parents allowed their two sons to be individuals. My family was a wild and wonderful place, with lots of friends and neighbors visiting and talking loud and eating loud and nobody telling the children to be quiet or putting them down.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
As an artist, I feel that we must try many things - but above all we must dare to fail.
Ah, well, do I wish that we lived in a world where gender didn't figure so prominently? Of course. Do I even think about myself as a woman when I go to make art? Of course not.
There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.
My favorite piece [piece of music] is the one we hear all the time if we are quiet.
The greatest story commandment is: Make me care.
I wanted to write and direct movies and not be forced to adapt them from a bestselling book.
When you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.
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