When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
David HockneyRead
My only worry is the painting I'm doing. Nothing else.
Interpretation
The quote emphasizes the importance of being focused and dedicated to one's craft above all else.
David Hockneyβs quote highlights the significance of commitment to oneβs artistic work, suggesting that worries and distractions should not take precedence over the creative process. By stating that his only concern is the painting he is working on, Hockney reinforces the idea that true passion and dedication to art can lead to fulfillment and success, as it allows the artist to immerse themselves fully in their creativity without external interference.
In practice
This quote can be shared during an art workshop to inspire participants to focus on their work.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
It is always fatal to have music or poetry interrupted.
Theatre is a game of hide-and-seek. For both the hiders and the seekers, the thrill is in the discovery. When the rules of the game are too vague or too complicated, however, the audience can lose its urge to play; the prize no longer seems quite worth the hunt.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
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