Every island to a child is a treasure island.
P. D. JamesRead
I don't think writers choose the genre, the genre chooses us. I wrote out of the wish to create order out of disorder, the liking of a pattern.
Interpretation
Writers are often guided by the genre they resonate with rather than consciously choosing it, and they seek to bring order to chaos through their work.
P. D. James reflects on the relationship between a writer and their chosen genre, suggesting that it's not merely a deliberate choice but rather an inherent connection. This reflects the idea that writers often write to impose structure and meaning onto the chaotic and complex nature of life, producing a recognizable pattern amid disorder.
In practice
In a workshop discussion on creative writing, referencing this quote could emphasize the natural alignment of personal expression with chosen genres.
Every island to a child is a treasure island.
If from infancy you treat children as gods, they are liable in adulthood to act as devils.
I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism.
What a child doesn't receive he can seldom later give.
Open your mind to new experiences, particularly to the study of other Βpeople. Nothing that happens to a writer β however happy, however tragic β is ever wasted.
It was one of those perfect English autumnal days which occur more frequently in memory than in life.
The gods are fugitive guests of literature.
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
And so, resisting the temptation to wallow in artistic remorse, I prefer to leave both well and ill alone and to think about something else
TV is chewing gum for the eyes.
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