Writers really live in the mind and in hotels of the soul.
Interpretation
Writers draw their inspiration from their imagination and inner experiences, much like staying in a mental space that nurtures creativity.
This quote by Edna O'Brien emphasizes the unique existence of writers who inhabit a realm of imagination and emotional depth. A writer's true home is not merely a physical space but an intricate mental landscape filled with ideas, emotions, and reflections that fuel their work, akin to residing in comforting 'hotels' of creativity within the soul.
In practice
This quote could be used in a speech about the power of creativity during a writers' workshop.
Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.
That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open.
Cities, in many ways, are the best repositories for a love affair. You are in a forest or a cornfield, you are walking by the seashore, footprint after footprint of trodden sand, and somehow the kiss or the spoken covenant gets lost in the vastness and indifference of nature. In a city there are places to remind us of what has been.
Darkness is drawn to light, but light does not know it; light must absorb the darkness and therefore meet its own extinguishment.
Oh, love, what an unreasoning creature it grew to be.
Recollection is not something that I can summon up, it simply comes and I am the servant of it.
Still ours the dance, the feast, the glorious Psalm, The mystic lights of emblem, and the Word.
Television shows are not like cars or operating systems, and they are not best made by engineers or coders in the same assembly line manner as consumer products which need to be of uniform size, shape, and quality.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.
Not only must you be an artist, must you be generous, and must you be able to see where you can help but you must also be aware. Aware of where your skills are welcomed.
Serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times.
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