There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department.
Interpretation
The quote reflects on the perception of young black men and their fear of authority, particularly in relation to law enforcement.
Kehinde Wiley expresses his personal experience as a young black man who often felt marginalized and viewed as a vulnerable child by society, particularly by institutions like the police. This statement sheds light on the broader societal issues of racial profiling and the psychological impact of living in fear due to systemic racism.
In practice
In a discussion on racial equity, this quote could highlight the fear experienced by marginalized communities.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
One who previously made bad karma, but who reforms and creates good karma, brightens the world like the moon appearing from behind a cloud.
It is indeed a desirable thing to be well-descended, but the glory belongs to our ancestors.
In the Christian combat, not the striker, as in the Olympic contests, but he who is struck, wins the crown. This is the law in the celestial theatre, where the Angels are the spectators.
The most powerful movement of feeling with a liturgy is the prayer which seeks for nothing special, but is a yearning to escape from the limitations of our own weakness and an invocation of all Good to enter and abide with us.
If you were dealing with the accumulated repressions of only one lifetime, it would be different. But these are the repressions of numerous lives. Nobody knows how many times you have been born, and how many societies have crushed you. And each time a different society, and all these societies destroying you in different ways... this is why you carry so many inner contradictions.
In the world today, we humans have become more self-absorbed, more tribal and tenacious in holding on to our narrow agendas; we have become consumed by the barrage of information inundating us; we are even more fickle when it comes to leaders.
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