I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
Chance The RapperRead
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
Interpretation
Achieving success as a local artist in a major festival is a significant milestone.
This quote emphasizes the uniqueness and achievement of Chicago artists who reach the prestigious platform of Lollapalooza, a major music festival. It highlights a sense of pride and aspiration, as the speaker connects their artistic journey with others who have succeeded, indicating that they are following in the footsteps of influential artists and carving out their own path in the music industry.
In practice
In a speech at a music industry conference, referencing the journey of artists who break into major festivals.
I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
You can love somebody through anything when they're your child, and now that I understand that, it makes me work better with people; it makes me more understanding of how much dedication and love I can put into each line. There's no throwaway lines.
I've come to understand that art is awesome and beautiful because it's a reflection of life - but it's just a reflection, and the real thing is my daughter.
When I was working on 'Coloring Book,' I knew that I wanted it to be a beacon for independent artists and music makers with their own agenda.
I don't make Christian rap, but I am a Christian rapper.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
In this day and age, when you can use a machine or computer to simulate or emulate what people can do together, it still can't replace the magic of four people in a room playing.
Young people have decided they like to listen to music in a certain way, through ear buds, and that's fine with me as long as it doesn't bother them that they're not hearing 90 percent of the music that way.
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
I'll make a song with Rick Rubin, a song with Beyonce, a song with Lenny Kravitz. I just believe in making good music. I'm not trying to section myself off into just making hard-core rap music.
Dancing is very important to people who play music with a beat. I think that people who don't dance, or who never did dance, don't really understand the beat... I know musicians who don't and never did dance, and they have difficulty communicating.
I got a chance to work with Miles Davis, and that changed everything for me, 'cause Miles really encouraged all his musicians to reach beyond what they know, go into unknown territory and explore. It's made a difference to me and the decisions that I've made over the years about how to approach a project in this music.
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