I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
Chance The RapperRead
I don't make Christian rap, but I am a Christian rapper.
Interpretation
The quote emphasizes personal identity over genre classification in music.
Chance The Rapper's statement reveals the complexity of identity, particularly within the realms of faith and art. He distinguishes himself as a Christian while also asserting that his music does not fit neatly into the category of 'Christian rap.' This suggests that spirituality can influence creativity without being limited to a specific genre, highlighting the idea that an artist's identity can be multifaceted and not defined solely by their artistic expression.
In practice
Use this quote during a panel discussion on the intersection of faith and music.
I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
You can love somebody through anything when they're your child, and now that I understand that, it makes me work better with people; it makes me more understanding of how much dedication and love I can put into each line. There's no throwaway lines.
I've come to understand that art is awesome and beautiful because it's a reflection of life - but it's just a reflection, and the real thing is my daughter.
When I was working on 'Coloring Book,' I knew that I wanted it to be a beacon for independent artists and music makers with their own agenda.
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
Relax, ease back in your seats and let the music take you wherever it does.
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
It's the group sound that's important, even when you're playing a solo.
I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra's. I was a tremendous fan, and had Elvis lived, there would have been no end to his inventiveness.
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