When you're writing fiction or poetry... it really comes down to this: indifference to everything except what you're doing... A young writer could do worse than follow the advice given in those lines.
Interpretation
The quote emphasizes the importance of dedication and focus in creative writing, suggesting that a writer should care only about their craft.
Raymond Carver's quote highlights that successful writing, whether in fiction or poetry, requires a deep commitment to the writing process itself, fostering a sense of indifference to external distractions. For aspiring writers, this indifference is portrayed not as apathy, but as a concentrated passion that allows them to fully immerse themselves in their work, enabling their creativity to flourish.
In practice
In a writing workshop, you could quote Carver to encourage participants to focus deeply on their projects.
Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgivable mistakes? Yes, given half a chance. Yes.
Fiction shows the external effects of internal conditions. Be aware of the tension between internal and external movement.
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
Every great or even every very good writer makes the world over according to his own specifications.
When I'm writing, I write every day. It's lovely when that's happening. One day dovetailing into the next. Sometimes I don't even know what day of the week it is.
It's strange. You never start out life with the intention of becoming a bankrupt or an alcoholic or a cheat and a thief. Or a liar.
Ideas aren't real estate, they grow collectively and that knocks out the egotistical loneliness that generally infects art.
We do not go to the theatre like our ancestors, to escape from the pressure of reality, so much as to confirm our experience of it.
There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.
My cooking is simply ingredients plus umami.
Architecture, like dance, is also a language - one that everybody understands.
Being an actress, I find myself people-watching and I can be quite shy.
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