An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.
Interpretation
Words can hold deeper significance beyond their dictionary definitions.
Marcel Duchamp suggests that the significance of certain words extends beyond their literal definitions found in the dictionary, indicating that their meanings can evolve and explode into broader interpretations based on context, culture, and personal experience. This highlights the complex relationship between language and meaning in art and human expression.
In practice
In a discussion about modern art, one might use this quote to emphasize the power of artistic expression.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Thereβs something very important about films about black women and girls being made by black women. Itβs a different perspective. It is a reflection as opposed to an interpretation, and I think we get a lot of interpretations about the lives of women that are not coming from women.
I believe the right question to ask, respecting all ornament, is simply this; was it done with enjoyment, was the carver happy while he was about it?
If I create from the heart, nearly everything works; if from the head, almost nothing.
Only through art can we emerge from ourselves and know what another person sees.
It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.
If a poet interprets a poem of his own he limits its suggestibility.
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