You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
Interpretation
The quote reflects the addictive thrill of performing music at high volumes.
David Gilmour's quote illustrates the euphoric and captivating experience of performing live music, particularly when the sound emanating from a guitar creates an immersive environment. He likens the exhilaration of this experience to that of a drug, suggesting that once an artist has felt the overwhelming rush of energy and connection with an audience, it becomes a challenging habit to leave behind.
In practice
This quote can inspire musicians discussing their love for performing.
I can't help other people's frustrations. I don't owe people anything. If people would like to come to my concerts, I'd love them to come. And if they like the music that I make, I love that, too. But I do not make music for other people. I make it to please myself.
The only way artists can do things is to do it for themselves. Trying to second guess what the public wants or likes is kind of a fool's game.
No-one can replace Richard Wright - he was my musical partner and my friend.
It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
Our music has depth, and attempts philosophical thought and meaning with discussions of infinity, eternity and mortality. There is a line which people cross that turns it into some magical, mystical realm, for which I dont claim responsibility and dont hold any great truck with.
Tired of lying in the sunshine, staying home to watch the rain You are young and life is long, and there is time to kill today And then one day you find, ten years has got behind you No one told you where to run, you missed the starting gun.
Music should be something that makes you gotta move, inside or outside.
He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.
My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow.
The world is filled with archaic objects - mailboxes which look like alarm boxes, banks which look like places to break out of rather than places to enter.
Right now a moment of time is fleeting by! Capture its reality in paint! To do that we must put all else out of our minds. We must become that moment, make ourselves a sensitive recording plate...Give the image of what we actually see, forgetting everything that has been seen before our time.
When I'm dancing, I'm not thinking about anything. I am here. I am totally there. You know? And the feeling is a sensation of being away from myself. My soul dances with the angels, and my body dances with my wife.
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