Since everything is in our heads, we had better not lose them.
Coco ChanelRead
Yves Saint Laurent is a young man of excellent taste; the more he copies me the more taste he displays.
Interpretation
Coco Chanel suggests that imitation, when done well, can highlight one's taste and style.
In this quote, Coco Chanel emphasizes that true taste and style can often be recognized through the admiration and imitation of others' work. Yves Saint Laurent's borrowing of her designs is not seen as a lack of originality, but rather as a testament to his aesthetic sensibility, showing that acknowledging influences can enrich one's own creative expression.
In practice
During a fashion seminar discussing the importance of influences in art and design.
Since everything is in our heads, we had better not lose them.
Hard times arouse an instinctive desire for authenticity.
Success is often achieved by those who don't know that failure is inevitable.
You can be gorgeous at thirty, charming at forty, and irresistible for the rest of your life.
Elegance does not consist in putting on a new dress.
Look for the woman in the dress. If there is no woman, there is no dress.
The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same.
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
I think of myself as a theater animal instead of an intellectual animal.
Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
You have to be lonely to be a writer
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