There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
If, in 2014, we're still making 'white savior movies,' then it's just lazy and unfortunate. We've grown up as a country, and cinema should be able to reflect what's true. And what's true is that black people are the center of their own lives and should tell their own stories from their own perspectives.
Interpretation
The quote emphasizes the importance of authentic representation in cinema, particularly regarding black narratives.
Ava Duvernay critiques the persistence of 'white savior movies' in cinema, arguing that such portrayals are outdated and lazy. She advocates for the representation of black people as the protagonists of their own stories, emphasizing that these narratives should originate from their own perspectives, true to their lived experiences, thereby fostering a more accurate reflection of society.
In practice
During a film discussion panel on representation in media.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
You want to make money, remake 'Cinderella.' You want to move people, remake the Hippolytus and Phaedra myth.
Nothing is contrived. At night, the clothes should pour like liquid over the body.
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
The best art is political and you ought to be able to make it unquestionably political and irrevocably beautiful at the same time.
I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
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