Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
The aim of poetry and the poet is finally to be of service, to ply the effort of the individual into the larger work of the community as a whole.
Interpretation
This quote emphasizes that poetry serves a communal function, connecting individual creativity to the collective good.
Seamus Heaney expresses the belief that the ultimate purpose of poetry, and the role of the poet, is to contribute to society. The essence of poetry lies not just in personal expression but in the power to unify and uplift the collective experience of the community, transforming individual effort into a shared artistic endeavor that benefits all.
In practice
This quote can be shared in a discussion about the role of art in society during a poetry reading event.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
Music from my fourth year began to be the first of my youthful occupations. Thus early acquainted with the gracious muse who tuned my soul to pure harmonies, I became fond of her, and, as it often seemed to me, she of me.
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