War's dirty little secret is that some men love it.
Kathryn BigelowRead
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
Interpretation
Kathryn Bigelow expresses a desire to be recognized solely as a filmmaker, without needing any qualifiers.
In this quote, Kathryn Bigelow articulates her aspiration to be seen simply as a filmmaker, wishing for a future where gender or other modifiers do not define one's identity in the field of film. This reflects a broader discussion on the importance of merit and talent over labels, particularly in industries where diversity has historically been underrepresented.
In practice
In a speech addressing young filmmakers about the importance of being recognized for skill rather than gender.
War's dirty little secret is that some men love it.
Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
There should be more women directing; I think there's just not the awareness that it's really possible.
A successful novel should interrupt the readerβs life, make him or her miss appointments, skip meals, forget to walk the dog.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She's not a symbol.
What provides you with subject matter is your own language - and that's all.
My aim is to put down on paper what I see and what I feel in the best and simplest way.
A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
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