I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
Interpretation
Creating a great record relies on the skill of the person behind the controls, not just the equipment used.
Dr. Dre emphasizes the importance of talent and skill in the music production process. While having high-quality equipment is important, the true art of making a successful record comes from the knowledge, experience, and creativity of the producer, highlighting that the individual plays a pivotal role in the sound and quality of the final product.
In practice
This quote can be shared at a music production workshop to inspire aspiring producers.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Acting isn't really a creative profession. It's an interpretative one.
It is in their 'good' characters that novelists make, unawares, the most shocking self- revelations.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
I believe that a good children's book should appeal to all people who have not completely lost their original joy and wonder in life. The fact is that I don't make books for children at all. I make them for that part of us, of myself and of my friends, which has never changed, which is still a child.
Art lives on constraint and dies of freedom.
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