When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
David HockneyRead
Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
Interpretation
The quote reflects an artist's embrace of individuality in the evolving art world, emphasizing passion over conformity.
David Hockney expresses a sense of detachment from mainstream art, suggesting that true artistry thrives outside conventional boundaries. He recognizes the changing landscape of art, where personal passion and excitement take precedence over societal expectations or mainstream trends, highlighting the value of pursuing one's unique vision.
In practice
During an art exhibition, one could use this quote to highlight the importance of individual expression.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
My only worry is the painting I'm doing. Nothing else.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
Poetry is not easy. Or should I say, real poetry is not easy.
So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.
A person who's only suffering can't write a poem. There are choices to be made, and you need to be objective.
The thing that influenced me most was the way Tommy played his trombone. It was my idea to make my voice work in the same way as a trombone or violin-not sounding like them, but "playing" the voice like those instrumentalists.
A director must push his actors to the utmost limit to get everything possible out of each scene - without being corny or sentimental or going overboard.
We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights.
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